Out, damned Scot spot

Yesterday I saw "the Scottish Play" on Broadway. While others (betters?) have already pronounced on it, I thought instead I'd add some meager musings rather than a critique of the whole...
  • I saw Richard III at BAM several years ago, and like this it was set in a vaguely Nazi/Stalinist era. Why is it that Shakespeare's plays lend themselves so well to this type of "updating"? In another 25-50 years, will we find another way present his plays, or will these settings still be relevant?
  • If you want to convince people that Patrick Stewart has left Star Trek behind, don't open the second half with him clearly reacting to something not there, as if the director will CGI Banquo in later.
  • The (infamous?) witches scene (you know, the "double double toil trouble" one) is done as a rap, but comes out like a mash-up of Tainted Love and Eminem.
  • The scene where Mrs. MacDuff and her children are killed included a sound effect similar to the Psycho shower-stabbing violins. Coincidence?
Ok, minor quibbles only. The best news was that the performance I saw, 2pm on Saturday, was filled with younger people - the average age was 25-30 (if that). What a nice change from the usual bluehairs!

If you can, GO!

1 comment:

Jandy said...

Too bad I'm on the wrong side of the country - I saw a review in the Wall Street Journal and longed... Now you've made me long even more. OK, I'll buy tickets for Fiddler on the Roof with Topol out here instead.